Book Review: Blasphemy by Tehmina Durrani

"" To me, my husband was... My sonâs murderer.... He was also my daughterâs molester.... A parasite nibbling... On the Holy Book... He was Lucifer... Holding me by the throat.... and driving me to sin every night.... He was Bhaiâs destoyer... Amma Sainâs tormentor... Maâs humbler.... And the peopleâs exploiter.... He was the rapist of orphans... and the fiend that fed on the weak.... But... over and above all this... he was known to be... the man closest to Allah... the one who could reach Him... and save us.""
âI wanted to but I couldnâtâ
These words reverberate through the protagonistâs mind from the beginning of her journey from a young nubile girl full of dreams and desires till the end of the lst chapter where by her mid life, has helplessly suffered much more than her due in life.
Authored by Tehmina Durrani, known for her controversial autobiography âMy Feudal Lordâ in 1991 takes on a similar narrative path of female subjugation in a society where morality and politics are deeply entrenched in social evils levied by warped and dysfunctional interpretations of Islam. This time, however, she objectifies the story to a girl although without dehumanizing her desires, spirit and nuances in her character.

Set in the interiors of South Pakistan, the book delves into the life that is concealed in the domestic courtyard and the bedroom walls of Pir Sain (Allahâs messenger) in the Holy Shrine. Heer, the beautiful young daughter of an anxious widow, becomes the object of the Pirâs desire and helpless against her poverty and motherâs will, she is wedded to become his 15 year old virginal bride. Life as she believed should be ended the day the Pir broke the bangles on her wrist, brought by her relatives on a visit. From then on, her life revolved around her domestic duties in kitchen by the day and the bedroom by the night.
From the wedding night onwards, Heer discovers the untamed side of her husband which she must satisfy and serve, sometimes by submitting young girls to save her own daughter or herself to other men to save herself the beating. In her suffering, she simultaneously fulfils her inquisitiveness around the historical lineage of the Pirs in the shrine from the elderly women in the house and unknowingly from the spirit of a woman who died fifty years ago in a tragic tale. She constantly questions the establishment of religious authorities like her husband who amass the wealth and hopes of many with no respite or change in their condition. However, like her domestic boundaries, these thoughts ruminate only in the four walls of her mind as any question or wayward comment cannot to risked to be deemed as âblasphemyâ for all the horrible consequences that follow.
Moreover, the book disturbingly exposes the incest, sexual and physical violence and perversion and the overt gender disparity beset in the privacy and closed doors of holy and politically powerful men in Pakistan. In the wake of much media attention that the social inequities in Pakistan are receiving, this is a worthwhile literary addition.

Tehmina Durrani (right) with Fakhra Yunas - Former Wives of the political Khar family in Pakistan and Survivors of Abuse
the account is very much moving and it creates a feeling of horror.we have no first hand accounts of such a situation in our parts but we are aware of partition literature in punjabi which is equally heart-rending .excellent pen-picture of human suffering and the efforts of the author are greatly praise-worthy.
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15 May 2012
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09 May 2012
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01 May 2012
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